Brian Dario and Christian Tedeschi

Curated library by Leslie Dick

July 9 - August 20, 2017

Open by appointment

Previous exhibitions
2013 – present
Jenny Monick
Jacob Kassay
D'Ette Nogle
K.r.m Mooney
Gedi Sibony
David Muenzer
Jay Heikes | Dieter Roth
Amy Granat
Jenny Monick
Michael E. Smith
Devendra Banhart
Neal Bashor
Kelly Marie Conder
Dominic Mangila
Daniel Payavis
Clare Grill
Roth Heikes book
Jay Heikes and Dieter Roth exhibition book ( PDF )

This first publication by Reserve Ames is both the documentation and continuation of Jay Heikes' and Dieter Roth's exhibition at the gallery curated by Laura Fried fall of 2015. Each book has been uniquely embellished by the curator.

Jay Heikes Dieter Roth Laura Fried
Reserve Ames, Los Angeles, 2016
97 pages, softcover
10 x 7 1/2 inches (25.4 x 19.05cm)
Edition of 250

Jonathan Griffin on
K.r.m. Mooney’s “Oscine”

Art Agenda

Jeffrey Stuker on
David Muenzer's "Scalar Daemon"

Art Handler

Suzanne Hudson on
David Muenzer's "Scalar Daemon"


Eli Diner on
David Muenzer's "Scalar Daemon"

Flash Art

David Muenzer's "Scalar Daemon"

Jonathan Griffin on
Jay Heikes Dieter Roth

Contemporary Art Review Los Angeles

Janna Avner on
David Muenzer's "Scalar Daemon"


Maxwell Williams for
Artsy editorial


Catherine Wagley on
Michael E. Smith

LA Weekly

Suzanne Hudson on
Clare Grill


Jenny Monick

April 23 - June 25, 2017

Press Release:

For her second exhibition at Reserve Ames, New York based artist Jenny Monick has installed in the main gallery a series of small-scale macroscopic, radiant, jewel-like oil paintings. In the back room a set of three paintings in variations of effervescent black and silver are illuminated by a combination of shadows and natural light, depending on the time of day. Also included are three new collage pieces, created in collaboration with her nine-year-old daughter, and a large-scale, hand-dyed, unstretched linen painting made specifically for the gallery's main wall.

In Monick’s work elements come together— far, flat, infinite, near, small, and monumental, culminating in a succinct vibration. Each painting is developed slowly, as razor-thin layers of quick and intuitive brushwork are applied to the surface. This process of layering slows down and capitalizes on the swift movement of each individual mark. The layers react with each other, both physically and visually, as one merges into another.

Jenny Monick was born in Minneapolis, MN in 1966. She has had solo exhibitions at Greene Naftali Front Room, NYC (2009); Kent Gallery, NYC (2001); and First New York Gallery, NYC (1997); and two-person exhibitions at Kiria Koula, SF, with Teresa Baker (2015); Reserve Ames, LA, with Gedi Sibony (2015) and Callicoon Fine Arts, NYC, with Thomas Kovachevich (2015). Recent group exhibitions include Post Election, September Gallery, Hudson, NY; My Summer Show, Gallery Lelong, NYC; Under Pressure, Art : Concept, Paris; Paper, The Aldrich Museum, Hartford, CT; Selections, The Drawing Center, NYC; Blind Faith, White Columns, NYC; and New York’s Finest, Canada, NYC. Monick received her BA from Barnard College in 1989 and Attended the Skowhegan School of Painting and Sculpture in 1999. Her work has been reviewed in Art in America, Art on Paper, Time Out New York, and The New York Times.